Every day of the year holds secrets, has stories to tell, and offers enough topics for discussion to get you thinking about fundamental, or sometimes seemingly trivial, issues - from Crackers over the Keyboard Day to World Book Day, to love, your middle finger or lost socks.

For the Yearbook of Type 2019/2020, PEYDUR neuleinen was used as the cover material and SURBALIN seda in black for the endpaper.

PEYVIDA - feel good to touch - for the classic novels by German publishing house Reclam Verlag. Featuring SURBALIN for the flyleaf.

What do Miss Piggy and Kermit, or Sisi and Franz, talk about when they think nobody is listening? Line Hoven and Jochen Schmidt are listening very carefully in their book. The SURBALIN seda cover, printed in gold and embossed in foil, simply begs you to take a look inside.

We are thrilled that publishers Zeitverlag picked a sophisticated slipcover for the exclusive German edition of Scribbles in the Margins - 50 Eternal Delights of Books by Daniel Gray.

Books published by Kremayr & Scheriau Verlag feature cover materials and dust jackets that feel good to touch, combine these with coloured endpapers, and finish them off with creative designs.

Wagenbach Verlag used SURBALIN linea for stiffened paper bindings with a three-sided trim for their Erich Fried series. The delicate line structure was skilfully incorporated into the design of the booklet.

This is a best-selling product that addresses the topic of sustainability. We are delighted to have been able to support the project with SURBALIN seda from the very start.

The Kleine Gourmandise (Little Gourmet) series is published by Mandelbaum Verlag. Each title is dedicated to one vegetable, one herb, or one type of fruit or berry. 
The books are lovingly designed, with each featuring a different permutation of SURBALIN for the cover and front; they are then printed and finished with foil embossing.

The name of this gin distilled in Hamburg, Skin Gin, says it all. The sleeve and the covering material used for the packaging are made from CRYLUXE in the alligator finish. 

Antje de Vries, Abenteuer Geschmack (Adventure of Taste), Gräfe und Unzer, München

To start with the black cover material was offset printed twice in white, then it was printed in four colours. The oil-based varnish that was also used provides additional contrast and brilliance.

TC Boyle, Good Home, Hanser Verlag, München

This material is iridescent, resulting in an almost three-dimensional effect which makes the design of shimmering autumn leaves come to life. The embossed title adds the finishing touches to create a truly eye-catching cover.